Una adivinación de una catástrofe
un oleaje de olvido después de la ternura
una especie de culpa sin castigo
de furia en paz con su gran Guerra.
Juan Gelman
Tenderness Manifesto
With every passing day I feel that something in me changes, dies, and I blame routine for wearing me down. I think we all carry a parasite under the skin, like in The Matrix, something that lodges in an empty space between the stomach and the heart and slowly devours us, until it makes our face its own, until we abandon what we were, are and will be.
Something in us has to die so we can come close to another. Have you seen how insects break their shells to come out naked, once again, into a world they already knew, but as someone else, having left their old body behind? The only constant in life is dispossession, abandonment; perhaps we have to break everything in order to find something.
And yet I believe there is another way: love. “In love there is nothing true without the irreparable,” wrote Félix Grande, and in his words I found an answer I like: whoever loves takes hold of the irreparable, makes true what is broken, turns, perhaps without meaning to, ruins into songs.
“Each man kills the thing he loves,” wrote Wilde. To me love is a form of death, yes, but not of the other: of oneself, who is perhaps also another. Whoever bets on love as a way of facing the world chooses to take their own life, to strip away who they are in order to grasp the world and make it part of their own soul.
The dictionary defines tenderness as “a feeling towards people, things or situations considered worthy of a pure and gratuitous love or affection, because of their sweetness, weakness or delicacy.” I think of tenderness as something deeper: a wager to reconcile the things of the world at their middle point.
Tenderness is, to me, the love of love itself.